Wednesday 22 January 2014

Magazine Madness: #BESTIES At COMPANY January 2014

Company January 2014

Company British edition though a 20-something juvenile readings, it allures me to spend euros on several issues annually: not because its eye candy covers, recognizable magazine spines, never-boring layouts, 100% reader-target narratives, but its creative and innovative themes, month by month. Company has been reporting the functional use of blog, Facebook, instagram, LinkedIn, twitter and you-name-it, with instant responses with its website and tiwtterverse, it becomes a paper-platform of the social media. Copy to copy, the inspirational design and the spoken tone every page turn make readers difficult to dispose any.

Social media has made a great impact onto printing business, so has been to actual interaction between you and me. On Carlene Thomas-Bailey’s “Friends with Social Benefits”, it reveals even A-list celebs, not just in favour by media, they also create their own social channels to swap, to show, and the most important of all, to sell. Posing together with BBF avoids billy-no-mates awkwardness, also having friends good for your mental healthiness.
Yes, “Instagram (or any other social media) makes it easier to keep friendships ticking over when you live in different cities”, some ‘likes’ or ‘hearts’ keep we buddies updated and connected, but social friendship, much like offline ones, doesn’t always run smoothly, on the contrary, it would show a true colour of a person, in a very unexpected, a rather darker way.

A college girl chatted via Facebook demanding for sending my ID card back to her Kaohsiung flat due to her wish on internet contract cancellation (since I was the registrant) when I moved to Helsinki; a classmate complained in emails that my unintentional delay on paying back cash during my stay in Finland; a student commented impolitely-intentioned on Facebook pictures of my friends that she never met. Though those incidents were safely solved through instant chats and family members, it seems that I forget to inform them on social media that my non-existence in Taiwan has sometimes technical difficulties to complete those domestic affairs. One of them got ‘unfriend treatment’ since she’s become a stalker, or, more a copy-cat, and the other 2 almost have 0 interaction ever since, no messages, no cheers, no likes, just zero and blank. 

Spreading happiness, sharing opinions or communicating in an efficient way, furthermore, sharpen one’s pen, are powerful benefits of social media, interestingly, they also explore a person’s sub-consciousness, in an obviously serious path. Nevertheless, I see the bright side of social media, since blogs portrait my personal critiques and art projects, Facebook connects friendie, twitter and bloglovin promote my blog essays, now I seriously consider getting a new mobile and start my own instagram.

Photography & Works Cited:
www.company.co.uk
Thomas-Bailey, Carlene. ‘Friends with Social Benefits’. Company, January 2014. London: Hearst, 2014. Pp.52-53. 
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Sunday 5 January 2014

Magazine Madness: Kate Moss, VOGUE UK Holiday Issue 2013-14

VOGUE HOLIDAY 2013-14

Kate Moss is 40 in 2014. To British Vogue’s tradition, Kate appears as cover girl once again to celebrate the immense fashion heritage with British well-known photographer Tim Walker.

According to VOGUE 2013 guest editor John Galliano’s words, that Kate is ‘as much muse as creator. She understands the power of fashion, the language and magic it speaks, and how to convey this into pictures’ (Galliano, 268). It perfectly shows that no matter how British media tries to find the next Kate Moss’s heir apparent, it predictably fails. Not only because of her unfocused eyes and highlight cheekbones, her boyish body figure and various body languages on the shootings, but her off-stage street fashion and party wear. Those show her unique taste on fashion, or perhaps we should say, on style. Since fashion may fade away but style stays, Miss Moss phenomenon will still last for ages. 

Photographer TimWalker has his famous fairy-tale styles of fashion campaign, while VOGUE UK Christmas issue ‘Made in Britain’, he adapts black-and-white, clean-cut and sleek, without Baroque settings, pinky colours or enormous ball gown, he nails the characters. VOGUE UK December issue usually provides astonishing fashion photos, shopping stories and designers’ lives (as Isabel Marant);from Kate Moss to Stella Tennant, from Gareth Pugh to Nick Knight, that’s how we call Britain Great.

Works Cited & Photography:
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